![]() It takes many many years of experience to become a halfway decent mastering engineer - and even then many are unwilling to touch a lathe (I mean - the cost of replacing a blown cutter head - x,000s ouch!)ĭon't forget - just having a lathe in your studio doesn't really count for anything - unless it's been properly set-up and you have a suitable monitoring environment, transfer console, outboard blah blah blahįresh - I ain't trying to do you out of a sale here - sorry if I've been mainly negative - I'm just trying to help explain to peeps who might not be aware of some of the things that they need to consider before such a huge undertaking. if neither of these options are available make use of one of the many great independent. Says Ed: First, listen to an exclusive mix of Dub Smugglers’ dubplates, including some. Listen below to an exclusive mix of Dub Smugglers’ dubplates, including some never-before-heard tracks. ![]() and a fool to think you could make money from running a VMS70 just as a dub-cutting facility - but it hasn't stopped people trying. DIGITAL CARBON MEDLEY PT 1 by Custom Dubplate Riddims: Listen to songs by Custom Dubplate Riddims on Myspace, a place where people come to connect, discover, and share. A dubplate is a unique remix or remake of an existing track, usually made with the help of the artist. One of the reasons that a lot of '70s are being sold off is because major mastering houses don't have any reason to continue to cut onto acetate - when they can get a ?sony? brand spanking new (custom built) lathe which cuts DMM (direct to metal) There are a lot of sonic advantages to cutting DMM on a 'modern' lathe - but of course that leaves you with no dubplates to play out.Īnyway, imo you'd just be pretty mad to take on a VMS70 with the hope of running a mastering facility. The answer is yes For our Displate Club Members, we offer the unique ability to customize your metal poster with any image you’d like. There are frickin' loads of them out there - and I've seen a LOT being sold recently ( at least 5 of them) Not to mention all the scullys and other custom builds that exist. If vynil is going to be pressed, the dub is then electroplated and the mold for the vinyl is. ![]() The disc comes in a polylined black inner. This is actually the first step in manufacturing any vinyl record. Oh please !- there are NOT just 4 vms 70s left in the world! Masterlabs will cut you a once off 12 dubplate while you wait. ![]()
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